Saturday, June 8, 2013

With that Moon Language

Eye Candy (Stacy Wills, 2013)
photography/sacred altering

With that Moon Language

Admit something:
Everyone you see, 
you say to them,
"Love me."
Of course you do not
do this out loud,
otherwise someone 
would call the cops.
Still though, think about this,
this great pull in us
to connect.
Why not become the one
who lives with a full moon
in each eye
that is always saying,
with that sweet moon language,
what every other eye
in this world
is dying to hear.

-Hafiz (1325-1389)

Sunday, May 12, 2013

A Love Like That

The Sun Worshiper (Stacy Wills, 2013)
alcohol inks and crushed egg shells on yupo + sacred altering

Even after all this time
the Sun never says 
to the Earth,
"You owe me."
Look what happens
with a love like that -
it lights the whole sky.

-Hafiz (1325-1389)

Thursday, May 2, 2013

At Twilight

At Twilight (Stacy Wills, 2013)
alcohol inks on clay board + sacred altering

At twilight, 
when everything 
softens, the stark lines 
that once so easily 
defined our world, 
become blurred,
and all we took for
 granted in the light
 now, we strain to see.
At twilight,
when everything
softens - our gaze
must soften as well,
for only then
will we be able 
to truly see aright -
the wonder...the glory...
the essence
of all that is.

-Stacy Wills (5/2/2013)






Thursday, April 25, 2013

Broken for You

Broken for You (Stacy Wills, 2013)
alcohol inks on tile, 6" x 6"

Recently I completed an online course, Art as a Healing Practice,  through Expressive Arts Florida.  At one point along the way, we were invited to consider how art might be made in response to tragedy, pain and suffering (the bombing in Boston had just occurred).   As I contemplated my own desire to create and offer a "healing image" in the face of tragedy, Broken for You emerged.  It did not start out to be this, but as I worked with the inks on the tile, moving them around, letting them dry, moving them around some more, and then removing some of it with a small brush dipped in blending solution, the image went through a sort of metamorphosis...from an angel...to a  woman weeping...to the Good Shepherd carrying the lost sheep across his shoulders, and then finally to the image you see here...a man of sorrows, acquainted with grief.  As I worked the inks, the words of Jesus at the Last Supper kept coming to mind, "This is my body, broken for you..."  In sharing this, I do not mean to make any sort of theological or political statement, but rather to offer up my own response to the brokenness of this world.  As providence would have it, this morning as I thought about  the painting  some more, an email arrived in my inbox that led me to this site (inward/outward) and in particular to this poem by Tobin Marsh entitled Things Break:

This side of the resurrection
In the brokenness, defeat and sorrow,
Is where lie all the deep lessons of my life.

Nothing wants to be broken,
And yet everything must be broken.
To never break is to lie stagnant and eventually die.

Things break.

I break now and again.
Picking up the pieces can be an act
Of profound faith.

-Tobin Marsh

Sunday, April 21, 2013

Consider the Lilies: An Invitation to Rest

Stargazer Lily (Stacy Wills, 2013)
alcohol inks on ceramic tile

Why is it so hard 
for us to rest?  Did not
 John recline upon
 his Savior's breast at table?
Follow his example.
Do the lilies of the field 
toil and spin? Yet
no one thinks that it's a sin
for them to glorify God 
the way they do,
dressed more finely
than Solomon, and that
not of their doing.
Consider, oh yes...
consider them, when tempted
to worry about anything.

-Stacy Wills (4/21/2013)


Thursday, March 28, 2013

Pilgrim Walk

Pilgrim Walk (Stacy Wills, 2013)
alcohol inks on yupo

As I make my slow pilgrimage through the world, a certain
  sense of beautiful mystery seems to gather and grow. 

                                                 - A. C. Benson (1862 - 1925)

Tuesday, March 5, 2013

Green Mountain (a poem by Li Po)

Green Mountain (Stacy Wills, 2013)
alcohol inks on yupo,  2 1/2" x 4 1/4"

You ask me why I dwell in the green mountain;
I smile and make no reply for my heart is free of care.
As the peach blossom flows down stream
and is gone into the unknown,
I have a world apart that is not among men.

Li Po (701-762)