Friday, January 3, 2014

God Speaks to Each of Us (a poem from Rilke)

Incarnation (Stacy Wills, 2013)
acrylic on canvas + sacred altering

God Speaks to Each of Us

God speaks to each of us as he makes us,
then walks with us silently out of the night.

These are the words we dimly hear:

You, sent out beyond your recall,
go to the limits of your longing.
Embody me.

Flare up like flame
and make big shadows I can move in.

Let everything happen to you:  beauty and terror.
Just keep going.  No feeling is final.
Don't let yourself lose me.

Nearby is the country they call life.
You will know it by its seriousness.

Give me your hand.

-Rainer Maria Rilke (1875-1926)

(Translated by Anita Barrows and Joanna Macy)

Tuesday, December 24, 2013

Getting a Jump on Next Year's Ornaments

Prisms (Stacy Wills, 2013)
alcohol ink on beveled prisms

December has been a full month - far more busy than I thought it would be....but even in the midst of all the busyness, the creative itch must still be scratched!  I salvaged these beveled prisms from an old art deco chandelier and wondered if they might work as suitable substrates for alcohol ink.    I really like the way  the first two turned out, and I've got plans to make more...I'm thinking these would make good Christmas ornaments for next year.   Happy Holidays!


Monday, December 16, 2013

Embody the Radiance

Light Body (Stacy Wills, 2013)
mixed media + sacred altering

Embody the Radiance

This is what happens
When Spirit
Pours through matter
Everything comes alive
Light incarnates
Love incarnates 
Embrace the truth
of who you are...
Embody the radiance
That is You

-Stacy Wills (12/16/13)

Saturday, December 7, 2013

Feelin' Merry and Bright


I've spent the better part of the last two days making 

these alcohol ink on porcelain Christmas ornaments.

If you could see my ink-stained fingers, you'd know

it was a labor of love!


I was a teenager the last time I got crafty at Christmas 

and made  ornaments - salt dough ornaments to be exact.  I still have one or

two that have survived the years well enough to  make it onto our tree.


It took awhile to figure out the best way to do these,

but I finally got a pretty good system going.  The

hardest part was waiting for them to dry so I could

really tell if these were going to be "tree-worthy."


Once they were dry, I gave them a protective coat of varnish.


 I love the way my ornaments turned out so much

that  I'm already thinking about what I can do next year!


 I'll be taking these to a holiday market our

neighborhood is having tomorrow afternoon.


Hopefully, some will find their way onto 

someone else's Christmas tree!

Tuesday, November 12, 2013

I Go Among Trees (a poem by Wendell Berry)

The Tree of Life in Autumn (Stacy Wills, 2013)
alcohol inks on yupo + sacred altering

I Go Among  Trees

I go among trees and sit still.
All my stirring becomes quiet
around me like circles on water.
My tasks lie in their places
where I left them, asleep like cattle.

Then what is afraid of me comes
and lives a while in my sight.
What it fears in me leaves me,
and the fear of me leaves it.
It sings, and I hear its song.

Then what I am afraid of comes.
I live for a while in its sight.
What I fear in it leaves it,
and the fear of it leaves me.
It sings, and I hear its song.

After days of labor,
mute in my consternations,
I hear my song at last,
and I sing it.  As we sing,
the day turns, the trees move.

-Wendell Berry (b. 1934)

While searching out this poem, I came across this video of it set to music by Giselle Wyers and performed by the University of Washington Chamber Singers.  Do you need a Beauty Break in the midst of a busy day?  Treat yourself to five and a half minutes of peace...


Prints of  "The Tree of Life in Autumn" are available here:
The Tree of Life in Autumn

Wednesday, October 16, 2013

For the Unknown Self - a poem by John O'Donohue

"Origins Unknown" (Stacy Wills, 2013)
alcohol ink on yupo + sacred altering

For the Unknown Self

So much of what delights and troubles you
Happens on a surface
You take for ground.
Your mind thinks your life alone,
Your eyes consider air your nearest neighbor,
Yet it seems that a little below your heart
There houses in you an unknown self
Who prefers the patterns of the dark
And is not persuaded by the eye's affection
Or caught by the flash of thought.

It is a self that enjoys contemplative patience
With all your unfolding expression,
Is never drawn to break into light
Though you entangle yourself in unworthiness
And misjudge what you do and who you are.

It presides within like an evening freedom
That will often see you enchanted by twilight
Without ever recognizing the falling night,
It resembles the under-earth of your visible life:
All you do and say and think is fostered
Deep in its opaque and prevenient clay.

It dwells in a strange, yet rhythmic ease
That is not ruffled by disappointment;
It presides in a deeper current of time
Free from the force of cause and sequence
That otherwise shapes your life.

Were it to break forth into day,
Its dark light might quench your mind,
For it knows how your primeval heart
Sisters every cell of your life
To all your known mind would avoid,

Thus it knows to dwell in you gently,
Offering you only discrete glimpses
Of how you construct your life.

At times, it will lead you strangely,
Magnetized by some resonance
That ambushes your vigilance.

It works most resolutely at night
As the poet who draws your dreams,
Creating for you many secret doors,
Decorated with pictures of your hunger;

It has the dignity of the angelic
That knows you to your roots,
Always awaiting your deeper befriending
To take you beyond the threshold of want,
Where all your diverse strainings
Can come to wholesome ease.

                     -John O'Donohue (1956-2008)




Sunday, October 13, 2013

Adventures in Experimental Art

Sacred Altering:  Adventures in Experimental Art
by Stacy Wills


I love experimenting (aka "playing!") with different techniques and methods of creating art.   This has been one of those weeks where I have been "learning by doing."  I hope you will enjoy seeing what emerged as I used some of my existing alcohol ink artwork and a few photographs as source images for my "sacred altering" process.   Sometimes...most times...I get so lost in the process that I have no idea how I arrived at certain images...but that doesn't deter me from trying again and again.   A crop here, a tweak there...a filter...a flip...a blur...polar co-ordinates...the vibrant colors melding...blending...whirling together...like dervishes...discs...orbs...desert suns...butterflies...angel wings...and then, I have to stop awhile and catch my breath...before the next "what if I..." has me off and running again.